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After four years and a major retrospective, Marcell Esterházy returns to acb Gallery with his latest body of work, titled Thin Film.
In this exhibition, Esterházy undertakes a visual and conceptual exploration of the boundaries between visibility and invisibility, presence and disappearance. The term "thin film" in the title is not merely a scientific designation, but rather a metaphor, a material condition, and a theoretical statement. In its physical sense, a thin film refers to a microscopically thin layer of material, extended in two dimensions and almost imperceptible in the third. While it appears to be a technical term, in Esterházy’s interpretation it becomes charged with aesthetic and philosophical meaning: barely perceptible layers covering the world are transformed into metaphors for history, identity, memory, and the gesture of leaving traces. The exhibited works do not address the “crisis of facts” (as...More
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Press Release
After four years and a major retrospective, Marcell Esterházy returns to acb Gallery with his latest body of work, titled Thin Film.
In this exhibition, Esterházy undertakes a visual and conceptual exploration of the boundaries between visibility and invisibility, presence and disappearance. The term "thin film" in the title is not merely a scientific designation, but rather a metaphor, a material condition, and a theoretical statement. In its physical sense, a thin film refers to a microscopically thin layer of material, extended in two dimensions and almost imperceptible in the third. While it appears to be a technical term, in Esterházy’s interpretation it becomes charged with aesthetic and philosophical meaning: barely perceptible layers covering the world are transformed into metaphors for history, identity, memory, and the gesture of leaving traces. The exhibited works do not address the “crisis of facts” (as...More