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Uncanny in its turning inside out, signifiers empty themselves, a bite once juicy, fulfilled, tantalising even—the tongue grasps, the saliva drips, but the content is hollow; an allegory for an insatiable appetite, contorted by capitalism.
The surface gleams with a promise it cannot keep: not nourishment, but its choreography. This is consumption inverted – not devouring, but being devoured. The object stares back, assertive, unyielding. The apple is no longer passive fruit, but agentic form, metabolising attention. Desire itself mutates, attaching not to things but to circuits: screens, gestures, patterns of craving. The worm, no longer merely hidden, becomes structural – an unseen instigator threading through architectures of compulsion. Hunger no longer signals lack, but perpetuity: a cycle that feeds on suspension, on the fantasy of the next bite.
Within this dance of hunger and haunting lies a more entangled intimacy. If the host is both eater and eaten, then the...More
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Press Release
Uncanny in its turning inside out, signifiers empty themselves, a bite once juicy, fulfilled, tantalising even—the tongue grasps, the saliva drips, but the content is hollow; an allegory for an insatiable appetite, contorted by capitalism.
The surface gleams with a promise it cannot keep: not nourishment, but its choreography. This is consumption inverted – not devouring, but being devoured. The object stares back, assertive, unyielding. The apple is no longer passive fruit, but agentic form, metabolising attention. Desire itself mutates, attaching not to things but to circuits: screens, gestures, patterns of craving. The worm, no longer merely hidden, becomes structural – an unseen instigator threading through architectures of compulsion. Hunger no longer signals lack, but perpetuity: a cycle that feeds on suspension, on the fantasy of the next bite.
Within this dance of hunger and haunting lies a more entangled intimacy. If the host is both eater and eaten, then the...More