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Rodrigo Hernandez’s work inhabits and projects a magical territory embedded in our world but not confined to it. Recognizing our human limitations to understand and engage with reality, he puts forth speculative positions, at once surprising and plausible, to test the limits of our shared assumptions and knowledge, leading us in a marvellous dive into the forgotten and the unknown. His universe materialises through associative gestures connecting different agencies, cultures and times.
In Lyriform Organ, Hernandez’s first solo exhibition in China, the artist includes drawing, painting and sculpture, choreographed around an intricate architectural setting. The works portray several creatures, some somewhat human in shape while others resembling animals. The metal pieces depict figures hovering in what seems like a zero-gravity environment of liquid contours. Frozen mid-way a flight or a swim, their bodies fold in impossible positions and loving embraces. Similar in its...More
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Press Release
Rodrigo Hernandez’s work inhabits and projects a magical territory embedded in our world but not confined to it. Recognizing our human limitations to understand and engage with reality, he puts forth speculative positions, at once surprising and plausible, to test the limits of our shared assumptions and knowledge, leading us in a marvellous dive into the forgotten and the unknown. His universe materialises through associative gestures connecting different agencies, cultures and times.
In Lyriform Organ, Hernandez’s first solo exhibition in China, the artist includes drawing, painting and sculpture, choreographed around an intricate architectural setting. The works portray several creatures, some somewhat human in shape while others resembling animals. The metal pieces depict figures hovering in what seems like a zero-gravity environment of liquid contours. Frozen mid-way a flight or a swim, their bodies fold in impossible positions and loving embraces. Similar in its...More