Table et Tableau
Arsmonitor•Jun 27, 2024 — Aug 29, 2024
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The traces of an artworks coming into being and the formation of an artist’s identity are taboo subjects. We prefer finality, as if we were dealing with a natural phenomenon, or the mystification of the work and personality, as if we were dealing with a supernatural phenomenon. So, we ignore the breadcrumbs and artefacts that would lead us back to where all of it came from. What’s more, we have the good Renaissance tradition, which forbade revealing the secrets of the guild, or the modernist tradition, which placed the “genius” beyond the reach of the masses, and the viewer was expelled from the artist’s laboratory. In the case of contemporary art, however, the viewer has a particularly pronounced role: a participating spectator in the work’s completion, a voice in what the work comes to mean.
The current exhibition, Table et Tableau, does not oppose the tradition, nor does it aim to elegize contemporary art, but works its way to...More
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Table et Tableau
Arsmonitor•Jun 27, 2024 — Aug 29, 2024
Press Release
The traces of an artworks coming into being and the formation of an artist’s identity are taboo subjects. We prefer finality, as if we were dealing with a natural phenomenon, or the mystification of the work and personality, as if we were dealing with a supernatural phenomenon. So, we ignore the breadcrumbs and artefacts that would lead us back to where all of it came from. What’s more, we have the good Renaissance tradition, which forbade revealing the secrets of the guild, or the modernist tradition, which placed the “genius” beyond the reach of the masses, and the viewer was expelled from the artist’s laboratory. In the case of contemporary art, however, the viewer has a particularly pronounced role: a participating spectator in the work’s completion, a voice in what the work comes to mean.
The current exhibition, Table et Tableau, does not oppose the tradition, nor does it aim to elegize contemporary art, but works its way to...More