Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"Installation View of "Tigertiger"
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Press Release
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This text does not aim to clarify the exhibition at hand, nor does it seek to mimic the stereotypical anxieties of a curator struggling with history. Rather, it should be read as a personal confession, with the exhibition acting as a physical support for the ideas explored here. What directly interests me is the question of how Radu Pandele’s art positions itself on the map of contemporary painting. Where can this kind of visual approach be situated, and how does the map itself shift with the appearance of this mode of working?

Ironically, painting has died at least five times over the past 500 years — and has returned just as often in various forms and reincarnations. Much to the dismay of enthusiasts of hyper-super-ultra-contemporary art — for whom painting is a defunct phenomenon — this exhibition is an exercise in directing focused attention on one particular aspect of Radu Pandele’s practice: his wall-based works. Volumetric objects and installations have been...More expand_more

Exhibition Space
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Etaj 3, Casa Presei, Corp A2, Piața Presei Libere 1, București 013701, Romania
View all exhibitions in... Bucharest, RO
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Created by clownshoes1979 on Jul 12, 2025 at 21:19
Edited by sonne on Jul 12, 2025 at 21:20
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Installation View of "Tigertiger"
Press Release
edit

This text does not aim to clarify the exhibition at hand, nor does it seek to mimic the stereotypical anxieties of a curator struggling with history. Rather, it should be read as a personal confession, with the exhibition acting as a physical support for the ideas explored here. What directly interests me is the question of how Radu Pandele’s art positions itself on the map of contemporary painting. Where can this kind of visual approach be situated, and how does the map itself shift with the appearance of this mode of working?

Ironically, painting has died at least five times over the past 500 years — and has returned just as often in various forms and reincarnations. Much to the dismay of enthusiasts of hyper-super-ultra-contemporary art — for whom painting is a defunct phenomenon — this exhibition is an exercise in directing focused attention on one particular aspect of Radu Pandele’s practice: his wall-based works. Volumetric objects and installations have been...More expand_more

Exhibition Space
edit
View exhibitionspace
Etaj 3, Casa Presei, Corp A2, Piața Presei Libere 1, București 013701, Romania
View all exhibitions in... Bucharest, RO
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View exhibition
Mar 13, 2025 — May 29, 2025
ArsmonitorEtaj 3, Casa Presei, Corp A2, Piața Presei Libere 1, București 013701, Romania
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ArsmonitorEtaj 3, Casa Presei, Corp A2, Piața Presei Libere 1, București 013701, Romania
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All comments: 0
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Metadata
verified Complete entry
Created by clownshoes1979 on Jul 12, 2025 at 21:19
Edited by sonne on Jul 12, 2025 at 21:20
Edits: 1
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.