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ArtNoble Gallery is pleased to present C’era una mosca (There once was a fly), Filippo Maz- za’s (Milan, 1994) first solo exhibition, accompanied with texts by Ilaria Baia Curioni and sound design by Jacopo Gino.
C’era una mosca is a reflection on visibility, perception, and on invisibility. This sensation of an “absence of art,” contrasted with the buzzing of a fly, creates tension. You look around, searching for the source of the noise, but there is nothing which justifies that sound. And yet, there is something inevitable: the fly is there, invisible, but absolutely present through its sound. The buzzing becomes the focal point of everything, a kind of “sound artwork” that, despite its lightness, challenges traditional expectations of what an art exhibition should propose. The sound, the golden material, and the absence of context push the viewer to interact with the work, making the act of searching an integral part of...More
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Press Release
ArtNoble Gallery is pleased to present C’era una mosca (There once was a fly), Filippo Maz- za’s (Milan, 1994) first solo exhibition, accompanied with texts by Ilaria Baia Curioni and sound design by Jacopo Gino.
C’era una mosca is a reflection on visibility, perception, and on invisibility. This sensation of an “absence of art,” contrasted with the buzzing of a fly, creates tension. You look around, searching for the source of the noise, but there is nothing which justifies that sound. And yet, there is something inevitable: the fly is there, invisible, but absolutely present through its sound. The buzzing becomes the focal point of everything, a kind of “sound artwork” that, despite its lightness, challenges traditional expectations of what an art exhibition should propose. The sound, the golden material, and the absence of context push the viewer to interact with the work, making the act of searching an integral part of...More
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