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In her solo exhibition, Liivrand presents her ongoing drawing series Crumbling Silhouettes, which in this new exhibition takes on a new headline Fading Voltage, alongside a new stained glass sculpture, Echo of Shards (2025). The worlds in her drawings evoke decaying ruins scattered with relics of the past, as well as imagined new Edens—lush with delicate flora and pearl-like strings of tadpoles, historically seen as mysterious and symbolic of transformation. In these fantastical scenes, flowers that typically bloom in different seasons appear all at once, echoing the medieval millefleur tapestries where such abundance symbolised paradise. Yet beneath their allure lies danger: the plants are highly toxic. In the latest works, Liivrand introduces two poisonous species found in Norway’s landscape—foxglove (Digitalis purpurea) and hemlock (Conium maculatum).
This botanical world is interwoven with iron elements shaped like arrows and vine tendrils, inspired by sacred architecture…
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Press Release
In her solo exhibition, Liivrand presents her ongoing drawing series Crumbling Silhouettes, which in this new exhibition takes on a new headline Fading Voltage, alongside a new stained glass sculpture, Echo of Shards (2025). The worlds in her drawings evoke decaying ruins scattered with relics of the past, as well as imagined new Edens—lush with delicate flora and pearl-like strings of tadpoles, historically seen as mysterious and symbolic of transformation. In these fantastical scenes, flowers that typically bloom in different seasons appear all at once, echoing the medieval millefleur tapestries where such abundance symbolised paradise. Yet beneath their allure lies danger: the plants are highly toxic. In the latest works, Liivrand introduces two poisonous species found in Norway’s landscape—foxglove (Digitalis purpurea) and hemlock (Conium maculatum).
This botanical world is interwoven with iron elements shaped like arrows and vine tendrils, inspired by sacred architecture…
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