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The title of the exhibition is adapted from Terence Davies’ film Distant Voices, Still Lives, an impressionistic montage about his childhood in Liverpool in the 1940s and ‘50s. Here, two artistic perspectives engage in dialogue, translating moments of remembrance and the negotiation of identity into suggestive and conceptual visual languages.
The works of Helena Parada Kim and Ziva Drvaric explore approaches to the past, including the biographical, as well as the points at which the self, the other, experience and memory become blurred.
Ziva Drvaric creates spaces that depict the interplay between objects and architecture in a manner reminiscent of still lifes. The absent inhabitants appear to have imprinted their presence on this world of objects, leaving behind an eloquent emptiness. However, by reinterpreting individual elements or altering the appearance of everyday objects, Drvaric casts doubt on how we perceive things and how we compare them to reality. Wh…
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Press Release
The title of the exhibition is adapted from Terence Davies’ film Distant Voices, Still Lives, an impressionistic montage about his childhood in Liverpool in the 1940s and ‘50s. Here, two artistic perspectives engage in dialogue, translating moments of remembrance and the negotiation of identity into suggestive and conceptual visual languages.
The works of Helena Parada Kim and Ziva Drvaric explore approaches to the past, including the biographical, as well as the points at which the self, the other, experience and memory become blurred.
Ziva Drvaric creates spaces that depict the interplay between objects and architecture in a manner reminiscent of still lifes. The absent inhabitants appear to have imprinted their presence on this world of objects, leaving behind an eloquent emptiness. However, by reinterpreting individual elements or altering the appearance of everyday objects, Drvaric casts doubt on how we perceive things and how we compare them to reality. Wh…
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