Where Have All the Flowers Gone
Buskerud Kunstsenter•Nov 26, 2025 — Dec 21, 2025
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In ‘Where Have All the Flowers Gone’, Hilde Honerud continues the series Regarding the Pain of the Future – an ongoing project that investigates how the crises of the future are imagined, prepared for, and rehearsed. The project springs from an anxiety about the world her children will grow up in, and a desire to understand our relationship to a threatening future. The exhibition builds on extensive fieldwork reminiscent of journalistic methods: Through travels in Norway and Europe, Honerud has sought out places and situations with both news value and symbolic resonance. Here, photographs of exercises simulating violent events are shown side by side with images that address the loss of nature, shedding light on how a vulnerable world is the very foundation of our existence.
Several of the photographs are taken during large-scale emergency preparedness exercises that stage the catastrophes we fear the most. We see young people – often only…
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Where Have All the Flowers Gone
Buskerud Kunstsenter•Nov 26, 2025 — Dec 21, 2025
Press Release
In ‘Where Have All the Flowers Gone’, Hilde Honerud continues the series Regarding the Pain of the Future – an ongoing project that investigates how the crises of the future are imagined, prepared for, and rehearsed. The project springs from an anxiety about the world her children will grow up in, and a desire to understand our relationship to a threatening future. The exhibition builds on extensive fieldwork reminiscent of journalistic methods: Through travels in Norway and Europe, Honerud has sought out places and situations with both news value and symbolic resonance. Here, photographs of exercises simulating violent events are shown side by side with images that address the loss of nature, shedding light on how a vulnerable world is the very foundation of our existence.
Several of the photographs are taken during large-scale emergency preparedness exercises that stage the catastrophes we fear the most. We see young people – often only…
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