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“The successful negotiation
Of holes…
Is dependent on maintaining
A healthy respect
For what cannot be seen.”
– Pope.L, Hole Theory
In Milk of the Earth, Antonia Kuo continues her engagement with personal histories rooted in alchemical transformation, metallurgy, and Chinese painting. She focuses on an ecology of material extraction— extraction of the body and the Earth—wombs, mines, cavities, milk, and metal. This framework brings our attention to the viscous liquidity of milk and ceramic slurry, the act of mining as milking the earth, and the mine as an excavated void, or negative. The site of the negative is a focal point for Kuo, a vital space activated by protean energies. Kuo utilizes photographic and sculptural technologies to convey aspects of these lineages, including chemical paintings on light-sensitive silver gelatin paper, X-ray film and corresponding photograms, video footage from her family foundry, micrographs of metal alloys,...More
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Press Release
“The successful negotiation
Of holes…
Is dependent on maintaining
A healthy respect
For what cannot be seen.”
– Pope.L, Hole Theory
In Milk of the Earth, Antonia Kuo continues her engagement with personal histories rooted in alchemical transformation, metallurgy, and Chinese painting. She focuses on an ecology of material extraction— extraction of the body and the Earth—wombs, mines, cavities, milk, and metal. This framework brings our attention to the viscous liquidity of milk and ceramic slurry, the act of mining as milking the earth, and the mine as an excavated void, or negative. The site of the negative is a focal point for Kuo, a vital space activated by protean energies. Kuo utilizes photographic and sculptural technologies to convey aspects of these lineages, including chemical paintings on light-sensitive silver gelatin paper, X-ray film and corresponding photograms, video footage from her family foundry, micrographs of metal alloys,...More
