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Occupying intermediary positions between abstract, autonomous, and site-specific sculpture, the work of New York-based artist Grant Mooney is acutely concerned with tactility and connectivity, while straddling associations of studio craft, material histories, and site-responsive gesture.
For his first exhibition in a London institution and major new commission, Mooney has developed a new body of work that embraces a series of fluxes and flows: atmospheric, bodily, and material. Drawing on theoretical comparisons of the body’s nervous system to vibratory networks, this exhibition explores the building and its flows as having the potential to generate volatile atmospheres of action, exchange, dependency, and feeling. The commission takes imperceptible currents – cellular and planetary – and makes them tangible through form.
Installed across the building, interconnected and conductive artworks propose living, vibrating systems that…
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Press Release
Occupying intermediary positions between abstract, autonomous, and site-specific sculpture, the work of New York-based artist Grant Mooney is acutely concerned with tactility and connectivity, while straddling associations of studio craft, material histories, and site-responsive gesture.
For his first exhibition in a London institution and major new commission, Mooney has developed a new body of work that embraces a series of fluxes and flows: atmospheric, bodily, and material. Drawing on theoretical comparisons of the body’s nervous system to vibratory networks, this exhibition explores the building and its flows as having the potential to generate volatile atmospheres of action, exchange, dependency, and feeling. The commission takes imperceptible currents – cellular and planetary – and makes them tangible through form.
Installed across the building, interconnected and conductive artworks propose living, vibrating systems that…
