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Read The Death of the Moth aloud on a late summer evening on the banks of the Nérac Ponds[1]; begin this reading with the words “Moths that fly by day are not properly to be called moths”[2]; immerse yourself in the rhythm and accents of the multiple voices of the readers gathered for this collective reading; later, reread The Waves by yourself while learning about the first title that Virginia Woolf gives to her writing project, The Moths, as announced in her diary: “Now the moths will I think fill out the skeleton which I dashed in here: the play-poem idea: the idea of some continuous stream, not solely of human thought, but of the ship, the night&c, all flowing together: intersected by the arrival of the bright moths”[3].
The sound of waves can be heard in the distance; a moth bangs against the glass; it seems we can perceive the movement of waves on the ponds’ surface. In this exhibition, the artists and their works freely invoke The...More
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Read The Death of the Moth aloud on a late summer evening on the banks of the Nérac Ponds[1]; begin this reading with the words “Moths that fly by day are not properly to be called moths”[2]; immerse yourself in the rhythm and accents of the multiple voices of the readers gathered for this collective reading; later, reread The Waves by yourself while learning about the first title that Virginia Woolf gives to her writing project, The Moths, as announced in her diary: “Now the moths will I think fill out the skeleton which I dashed in here: the play-poem idea: the idea of some continuous stream, not solely of human thought, but of the ship, the night&c, all flowing together: intersected by the arrival of the bright moths”[3].
The sound of waves can be heard in the distance; a moth bangs against the glass; it seems we can perceive the movement of waves on the ponds’ surface. In this exhibition, the artists and their works freely invoke The...More
Exhibition Space
Artists
Curator
More Exhibitions at CRAC Alsace
Similar Exhibitions
