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“A friend once told me that ‘Camera Piena Camera Vuota’ sounds like a jingle.
To me it resembled a moment filled with many doubts.
This body of work is connected by (the ideas of) traces or impressions as fossils, that are capable of telling stories and preserving memories whilst also revealing feelings like fear or anguish.
The exhibition title ‘Camera Piena Camera Vuota’ (Full Room Empty Room) reflects Giorgias interest in creating spaces from elements that, in many ways, are destined to become ruins, as well as her approach to engaging with this process. It forms part of a larger body of work she has been developing since moving to the Netherlands at the end of 2020, driven by a desire to transform the temporary into something permanent—a counter-narrative to the constantly shifting urban landscape she encountered.
During her residency at Billytown she began to intertwine different aspects of her work into narratives that she has come to define as...More
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Press Release
“A friend once told me that ‘Camera Piena Camera Vuota’ sounds like a jingle.
To me it resembled a moment filled with many doubts.
This body of work is connected by (the ideas of) traces or impressions as fossils, that are capable of telling stories and preserving memories whilst also revealing feelings like fear or anguish.
The exhibition title ‘Camera Piena Camera Vuota’ (Full Room Empty Room) reflects Giorgias interest in creating spaces from elements that, in many ways, are destined to become ruins, as well as her approach to engaging with this process. It forms part of a larger body of work she has been developing since moving to the Netherlands at the end of 2020, driven by a desire to transform the temporary into something permanent—a counter-narrative to the constantly shifting urban landscape she encountered.
During her residency at Billytown she began to intertwine different aspects of her work into narratives that she has come to define as...More