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Daniel Faria Gallery is pleased to present Not as it was but as it might be, Kristine Moran’s seventh solo exhibition with the gallery.
In Not as it was but as it might be, drawings made during Moran’s walks through the public gardens and parks along the rugged shoreline of Georgian Bay become the foundation for a series of abstract paintings in which the landscape appears only in glimmers and hints. In her practice, Moran often engages with landscapes already perceived as ideal—botanical gardens, parks, and conservatories—but even in their tranquility, she feels compelled to deconstruct and re-imagine them. This impulse stems not from discontent, but from the desire to explore what lies beyond the surface, and to find meaning in the spaces between longing and fulfillment. Moran refers to the phrase “divine dissatisfaction” to describe the drive behind her work. First articulated by Martha Graham, it describes an enduring, sacred restlessness that compels her to search for something…
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Press Release
Daniel Faria Gallery is pleased to present Not as it was but as it might be, Kristine Moran’s seventh solo exhibition with the gallery.
In Not as it was but as it might be, drawings made during Moran’s walks through the public gardens and parks along the rugged shoreline of Georgian Bay become the foundation for a series of abstract paintings in which the landscape appears only in glimmers and hints. In her practice, Moran often engages with landscapes already perceived as ideal—botanical gardens, parks, and conservatories—but even in their tranquility, she feels compelled to deconstruct and re-imagine them. This impulse stems not from discontent, but from the desire to explore what lies beyond the surface, and to find meaning in the spaces between longing and fulfillment. Moran refers to the phrase “divine dissatisfaction” to describe the drive behind her work. First articulated by Martha Graham, it describes an enduring, sacred restlessness that compels her to search for something…
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