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Divorce. The opposite of marriage. Or perhaps the inevitability of marriage. Jasmine Gregory’s paintings exist alternately as image, object, and imperative. Divorce is rendered as an advertisement: rupture as aspiration. Here on the wall but sometimes displayed in groups or stacks as if they were playing cards, Gregory’s paintings accumulate, rested against one another or built into precarious towers that imply future collapse. Throughout her work, Gregory explores systems that define value and legitimacy, exposing the disconnect between experiences promised and experiences lived.
Echard’s three canvases present minimalist compositions of oxidized aluminum foil and anti-radiation fabric. Originally developed for technical applications to shield sensitive electronic systems from ambient electromagnetic fields, anti-radiation fabrics are now more commonly used by those on the spectrum from toxic-conscious to toxic-paranoid. In one work, Echa…
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Divorce. The opposite of marriage. Or perhaps the inevitability of marriage. Jasmine Gregory’s paintings exist alternately as image, object, and imperative. Divorce is rendered as an advertisement: rupture as aspiration. Here on the wall but sometimes displayed in groups or stacks as if they were playing cards, Gregory’s paintings accumulate, rested against one another or built into precarious towers that imply future collapse. Throughout her work, Gregory explores systems that define value and legitimacy, exposing the disconnect between experiences promised and experiences lived.
Echard’s three canvases present minimalist compositions of oxidized aluminum foil and anti-radiation fabric. Originally developed for technical applications to shield sensitive electronic systems from ambient electromagnetic fields, anti-radiation fabrics are now more commonly used by those on the spectrum from toxic-conscious to toxic-paranoid. In one work, Echa…
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