SOLO EXHIBITION

Skittles

Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"Installation View of "Skittles"
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Press Release
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George Egerton-Warburton’s installation Skittles is a combination of readymades that engage fundamental concerns such as gesture, narrative, and meaning. A wood chipper, some lobster traps, and a series of garments from Uniqlo socialize to conjure a meditation on lack and excess, wildness, middling, and the internalisation of authority. Accompanied by an anonymous rambling text, it speaks with the speed of conspiracy and crisis about what is desired being attainable, unless what is desired is nothing/destroyed.

Echoing conceptual works such as Chris Burden’s L.A.P.D. Uniforms, Robert Barry’s various gestures of dispersal, and Lutz Bacher’s structural pandemonium, the installation is a single work bound by atmosphere and tone. Its contemporaneity can be felt in the tragicomic idea that submission and radicalization are two sides of the same coin.

George Egerton-Warburton (b. 1988, Kojonup, Western Australia) lives and works in New York, NY. Recent solo...More expand_more

Exhibition Space
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197 Grand St #2W, New York, NY 10013, USA
View all exhibitions in... New York, NY, US
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Created by silhouette8568 on Feb 02, 2025 at 14:14
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Installation View of "Skittles"
SOLO EXHIBITION

Skittles

Press Release
edit

George Egerton-Warburton’s installation Skittles is a combination of readymades that engage fundamental concerns such as gesture, narrative, and meaning. A wood chipper, some lobster traps, and a series of garments from Uniqlo socialize to conjure a meditation on lack and excess, wildness, middling, and the internalisation of authority. Accompanied by an anonymous rambling text, it speaks with the speed of conspiracy and crisis about what is desired being attainable, unless what is desired is nothing/destroyed.

Echoing conceptual works such as Chris Burden’s L.A.P.D. Uniforms, Robert Barry’s various gestures of dispersal, and Lutz Bacher’s structural pandemonium, the installation is a single work bound by atmosphere and tone. Its contemporaneity can be felt in the tragicomic idea that submission and radicalization are two sides of the same coin.

George Egerton-Warburton (b. 1988, Kojonup, Western Australia) lives and works in New York, NY. Recent solo...More expand_more

Exhibition Space
edit
View exhibitionspace
197 Grand St #2W, New York, NY 10013, USA
View all exhibitions in... New York, NY, US
More Exhibitions at Derosia
View exhibition
ON VIEW
Through Jun 21, 2025
Derosia197 Grand St #2W, New York, NY 10013, USA
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Derosia197 Grand St #2W, New York, NY 10013, USA
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Mar 08, 2025 — May 03, 2025
Derosia197 Grand St #2W, New York, NY 10013, USA
View exhibition
Jan 11, 2025 — Mar 01, 2025
Derosia197 Grand St #2W, New York, NY 10013, USA
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Derosia197 Grand St #2W, New York, NY 10013, USA
More
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Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by silhouette8568 on Feb 02, 2025 at 14:14
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.