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Renée Green: The Equator Has Moved marks the multidisciplinary artist’s first major solo museum presentation in New York. Since the late 1980s, Green has produced densely layered, knowledge-based work that adapts strategies of Minimal and Conceptual art from the 1960s and ’70s. In her uniquely recursive process, Green juxtaposes a range of materials—archival, documentary, and literary fragments; personal and found ephemera; speculative narratives; and her own extant work—to probe the unstable boundaries between fact and fiction, public recollection and personal memory.
Constellating historical, reconfigured, and newly commissioned work in the nexus of Dia Beacon’s floor plan, the two expansive central galleries and the perpendicular corridor, this chronologically defiant presentation aptly stages the artist’s practice in contact and context with influential figures key to Dia’s history and Green’s formation. Foundational multimedia installations that critically...More
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Press Release
Renée Green: The Equator Has Moved marks the multidisciplinary artist’s first major solo museum presentation in New York. Since the late 1980s, Green has produced densely layered, knowledge-based work that adapts strategies of Minimal and Conceptual art from the 1960s and ’70s. In her uniquely recursive process, Green juxtaposes a range of materials—archival, documentary, and literary fragments; personal and found ephemera; speculative narratives; and her own extant work—to probe the unstable boundaries between fact and fiction, public recollection and personal memory.
Constellating historical, reconfigured, and newly commissioned work in the nexus of Dia Beacon’s floor plan, the two expansive central galleries and the perpendicular corridor, this chronologically defiant presentation aptly stages the artist’s practice in contact and context with influential figures key to Dia’s history and Green’s formation. Foundational multimedia installations that critically...More
