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In the polyphonic exhibition “A cappella”, Fanny Adriana Dunning, Maria Esteves, Nolan Lucidi, and Julie / Julot Wuhrmann gather around narratives and inquiries into various queer artistic lineages. Reclaiming aspects of the history of art via narratives and images, often tinted with a touch of delicate irony, the exhibition revolves around fictional or potential queer histories, rooted in archives and current social issues.
Beyond lesbian territories and the idyllic alcove of cursed lovers, a television is emitting strange waves and a washing machine may be spinning the wrong way; or maybe it’s history in general, written mainly by a cis-heterosexual society, whose queer parts have been erased. Between bucolic stagings and cyborg installations, Fanny Adriana Dunning, Maria Esteves, Nolan Lucidi, and Julie / Julot Wuhrmann aspire to maliciously give shape and life to marginalized narratives.
Fanny Adriana Dunning is an artist born in 1999, who lives between the Nyon...More
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Press Release
In the polyphonic exhibition “A cappella”, Fanny Adriana Dunning, Maria Esteves, Nolan Lucidi, and Julie / Julot Wuhrmann gather around narratives and inquiries into various queer artistic lineages. Reclaiming aspects of the history of art via narratives and images, often tinted with a touch of delicate irony, the exhibition revolves around fictional or potential queer histories, rooted in archives and current social issues.
Beyond lesbian territories and the idyllic alcove of cursed lovers, a television is emitting strange waves and a washing machine may be spinning the wrong way; or maybe it’s history in general, written mainly by a cis-heterosexual society, whose queer parts have been erased. Between bucolic stagings and cyborg installations, Fanny Adriana Dunning, Maria Esteves, Nolan Lucidi, and Julie / Julot Wuhrmann aspire to maliciously give shape and life to marginalized narratives.
Fanny Adriana Dunning is an artist born in 1999, who lives between the Nyon...More
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