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(In Czech, the phrase for ‘to spend time’ literally means ‘to digest time.’)
Every time I encounter Jakub’s work, I find myself wondering how much time he actually asks of you — how much attention you’re willing to spare in order to read it. Because it’s layered, with a capital L. Layered to the point where you begin to feel the weight of those layers, their accumulation, their resistance. And it’s not just that he thrives on assigning meaning to every particle of it — from dust to the dawn of the material — but that the atmosphere itself, the saturation of the material world, becomes the very point of departure.
For a long time, this density in his work was bound to the question of human interference within the digital — a kind of gameplay logic, where each decision carried the trace of your online footprint. The works unfolded like an algorithm of choice and consequence, poetic in their systemization. Yet, in the more recent pieces, Jakub seems to be trac…
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Press Release
(In Czech, the phrase for ‘to spend time’ literally means ‘to digest time.’)
Every time I encounter Jakub’s work, I find myself wondering how much time he actually asks of you — how much attention you’re willing to spare in order to read it. Because it’s layered, with a capital L. Layered to the point where you begin to feel the weight of those layers, their accumulation, their resistance. And it’s not just that he thrives on assigning meaning to every particle of it — from dust to the dawn of the material — but that the atmosphere itself, the saturation of the material world, becomes the very point of departure.
For a long time, this density in his work was bound to the question of human interference within the digital — a kind of gameplay logic, where each decision carried the trace of your online footprint. The works unfolded like an algorithm of choice and consequence, poetic in their systemization. Yet, in the more recent pieces, Jakub seems to be trac…
