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EMBAJADA is pleased to present Fragments, Stripes, and Repetition, an exhibition featuring new and recent works by Nora Maité Nieves, Margaux Ogden, and Sarah Zapata. Together, the artists expand the language of abstraction through distinct approaches that explore form, material, and process. An accompanying essay, Forms as Counter-Arrangements, by artist and curator Michelle Grabner, offers thoughtful reflections on their practices and the dialogues they create.
Forms as Counter-Arrangements: Nora Maité Nieves, Margaux Ogden, and Sarah Zapata
Caroline Levine’s text Forms: Whole, Rhythm, Hierarchy, Network (2015) intervenes decisively in debates about the relationship between aesthetic practice and political life. For Levine, forms are not confined to the realm of art; they are generalizable “patterns of organizing” that circulate across media, institutions, and social practices. Symmetry, rhythm, hierarchy, and network, for instance,...More
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Press Release
EMBAJADA is pleased to present Fragments, Stripes, and Repetition, an exhibition featuring new and recent works by Nora Maité Nieves, Margaux Ogden, and Sarah Zapata. Together, the artists expand the language of abstraction through distinct approaches that explore form, material, and process. An accompanying essay, Forms as Counter-Arrangements, by artist and curator Michelle Grabner, offers thoughtful reflections on their practices and the dialogues they create.
Forms as Counter-Arrangements: Nora Maité Nieves, Margaux Ogden, and Sarah Zapata
Caroline Levine’s text Forms: Whole, Rhythm, Hierarchy, Network (2015) intervenes decisively in debates about the relationship between aesthetic practice and political life. For Levine, forms are not confined to the realm of art; they are generalizable “patterns of organizing” that circulate across media, institutions, and social practices. Symmetry, rhythm, hierarchy, and network, for instance,...More
