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On my wall at home, I have a work by Kristen Keegan. It is a kind of book, but it is made from sheets of waxed cotton, not paper. Each page has its own colours, broad stripes that border or flow into each other. It is made from studio scraps, cut-offs from large paintings. The way I have installed it on my living room wall makes it resemble a calendar, even though it exclusively displays colours. The spine is horizontal, the book is spread open and fixed to the wall with a thin nail. When I turn the pages, a new colour composition comes into view. The images opening toward the room almost always look like landscapes.
When my father visited me not long ago, he asked about the artwork. What does it symbolize, he said, or something like that. On this day the book was opened to a spread with a deep green that bordered softly towards an almost black blue. A pale pink surface shone in from the opposite side, streaked with barely visible toffee brown. I understood what he...More
The mutual work
Entrée•Nov 01, 2024 — Jan 05, 2025
Press release
On my wall at home, I have a work by Kristen Keegan. It is a kind of book, but it is made from sheets of waxed cotton, not paper. Each page has its own colours, broad stripes that border or flow into each other. It is made from studio scraps, cut-offs from large paintings. The way I have installed it on my living room wall makes it resemble a calendar, even though it exclusively displays colours. The spine is horizontal, the book is spread open and fixed to the wall with a thin nail. When I turn the pages, a new colour composition comes into view. The images opening toward the room almost always look like landscapes.
When my father visited me not long ago, he asked about the artwork. What does it symbolize, he said, or something like that. On this day the book was opened to a spread with a deep green that bordered softly towards an almost black blue. A pale pink surface shone in from the opposite side, streaked with barely visible toffee brown. I understood what he...More