SOLO EXHIBITIONON VIEW

String Constructions, 117 Hester Street, 1972-73

EXILEMay 03, 2025 — Aug 02, 2025
Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"Installation View of "String Constructions, 117 Hester Street, 1972-73"
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Press Release
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EXILE is pleased to present a research exhibition of Kazuko Miyamoto’s early string constructions in Berlin. These early works are transitional in many ways, and their relationship to Minimalism, as experienced through her predominantly male peers, contrasts with her later presentations as a member of the women’s art collective, A.I.R.. The three String Constructions on display were last installed in 1972–73 in Miyamoto’s studio building at 117 Hester Street in New York and present a pivotal transition from the pictorial plane to early wall-based spatial constructions.

Following a brief period of painting (1969–1972), Miyamoto began to create ephemeral, wall-based works using only industrial nails and readily available cotton string. One of Miyamoto’s final paintings, Chalkline Drawing (blue) (1972), is a large-scale, vertical, subtle, yellow monochrome canvas upon which the artist applied the type of blue chalk line frequently used by bricklayers or construction...More expand_more

Exhibition Space
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Köpenicker Str. 39, 10179 Berlin, Germany
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Created by oiledcabbage on Jul 10, 2025 at 21:04
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Installation View of "String Constructions, 117 Hester Street, 1972-73"
SOLO EXHIBITIONON VIEW

String Constructions, 117 Hester Street, 1972-73

EXILEMay 03, 2025 — Aug 02, 2025
Press Release
edit

EXILE is pleased to present a research exhibition of Kazuko Miyamoto’s early string constructions in Berlin. These early works are transitional in many ways, and their relationship to Minimalism, as experienced through her predominantly male peers, contrasts with her later presentations as a member of the women’s art collective, A.I.R.. The three String Constructions on display were last installed in 1972–73 in Miyamoto’s studio building at 117 Hester Street in New York and present a pivotal transition from the pictorial plane to early wall-based spatial constructions.

Following a brief period of painting (1969–1972), Miyamoto began to create ephemeral, wall-based works using only industrial nails and readily available cotton string. One of Miyamoto’s final paintings, Chalkline Drawing (blue) (1972), is a large-scale, vertical, subtle, yellow monochrome canvas upon which the artist applied the type of blue chalk line frequently used by bricklayers or construction...More expand_more

Exhibition Space
edit
View exhibitionspace
Köpenicker Str. 39, 10179 Berlin, Germany
View all exhibitions in... Berlin, DE
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Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by oiledcabbage on Jul 10, 2025 at 21:04
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.