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A length of manila rope stretches over an horizontal distance, anchored to the floor at each end, creating a line that floats just above the ground. It occupies the space as both a real and conceptual tension.
Vertical strips of clear adhesive tape cover a 16 meters wall, so that it glistens slightly. The gesture toys with the architecture, choreographing the viewer’s experience while bringing the outside in.
A bouquet of nails, their shimmering heads wrapped in ribbons. The nails forget their predetermined intent, as the distinction between function and decoration comes undone.
A liquid poured into a glass, captured as it splashes onto the transparent surface. A still life based on a series of contact sheets photos from a book, its source material and formal qualities treated with an elusive seeming detachment.
The exhibition brings together works by Bill...More
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Press Release
A length of manila rope stretches over an horizontal distance, anchored to the floor at each end, creating a line that floats just above the ground. It occupies the space as both a real and conceptual tension.
Vertical strips of clear adhesive tape cover a 16 meters wall, so that it glistens slightly. The gesture toys with the architecture, choreographing the viewer’s experience while bringing the outside in.
A bouquet of nails, their shimmering heads wrapped in ribbons. The nails forget their predetermined intent, as the distinction between function and decoration comes undone.
A liquid poured into a glass, captured as it splashes onto the transparent surface. A still life based on a series of contact sheets photos from a book, its source material and formal qualities treated with an elusive seeming detachment.
The exhibition brings together works by Bill...More