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Isabel Cordovil (Portugal), Cristina Garrido (Spain), and Gabriele Beveridge (United Kingdom) arrive in Lima with a proposal that is not a mere sum of works, but a tension of perspectives and sensibilities. Three artists, three ways of twisting the everyday to make it speak from elsewhere. What at first glance seems familiar—a catalog, a postcard, a consumer object, an intimate story—here is dismantled, transformed, and turned into a field charged with questions.
All three share a common obsession: to question how we see and what we are taught to see. They do so through commerce and popular culture, through art history or intimate emotion, displacing materials to reveal what lies beneath the surface. Each piece operates like a crack in normality, a reminder that the gaze is never innocent.
Cristina Garrido takes the formats of the art system itself—catalogs, press releases, art fair booths—and turns them into her battleground. With sharp irony, her works...More
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Press Release
Isabel Cordovil (Portugal), Cristina Garrido (Spain), and Gabriele Beveridge (United Kingdom) arrive in Lima with a proposal that is not a mere sum of works, but a tension of perspectives and sensibilities. Three artists, three ways of twisting the everyday to make it speak from elsewhere. What at first glance seems familiar—a catalog, a postcard, a consumer object, an intimate story—here is dismantled, transformed, and turned into a field charged with questions.
All three share a common obsession: to question how we see and what we are taught to see. They do so through commerce and popular culture, through art history or intimate emotion, displacing materials to reveal what lies beneath the surface. Each piece operates like a crack in normality, a reminder that the gaze is never innocent.
Cristina Garrido takes the formats of the art system itself—catalogs, press releases, art fair booths—and turns them into her battleground. With sharp irony, her works...More
