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Press Release
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Only true painting captures the invisible. Before eyes existed, we used the eye for not seeing, a time-eye, an eye to caress the darkness of rhythm and now I know the secret of the eye: the skin was already watching.
Peregrino transparente,Juan Cárdenas
Entering Natalia Castañeda’s studio is to become part of an obstinate collection of persistencies, is to have access to a record of something alive, is to be transported to an imaginary meseta surrounded by enigmatic and baffling summits. This exhibition aims to share some of the tactile, emotional and collector’s experiences felt on crossing the threshold of her studio.
For a decade now Natalia Castañeda has been working unremittingly on her encounter with the mountain, and especially with glaciers, those huge masses of water in movement and now in retreat. The rapid...Moreexpand_more
Only true painting captures the invisible. Before eyes existed, we used the eye for not seeing, a time-eye, an eye to caress the darkness of rhythm and now I know the secret of the eye: the skin was already watching.
Peregrino transparente,Juan Cárdenas
Entering Natalia Castañeda’s studio is to become part of an obstinate collection of persistencies, is to have access to a record of something alive, is to be transported to an imaginary meseta surrounded by enigmatic and baffling summits. This exhibition aims to share some of the tactile, emotional and collector’s experiences felt on crossing the threshold of her studio.
For a decade now Natalia Castañeda has been working unremittingly on her encounter with the mountain, and especially with glaciers, those huge masses of water in movement and now in retreat. The rapid...Moreexpand_more
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