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The latest works of Jakub Czyszczoń are infused with a spirit of a peculiar ecology—newspaper sheets, dry leaves, and fragments of clothing are fused together by the artist using oil paint, forming distinctive compositions. Two untitled pieces in the current exhibition, encased in wall-mounted display cases, evoke the image of radioactive puddles or artefacts from a museum yet to be built. The choice of materials is both unexpected and deliberate, revealing, upon closer inspection, the artist’s fundamental method. Its essence lies in a game of concealment and revelation. Czyszczoń is not driven by an analytical intent, but rather by an intuitive approach—observing details from a distance and within the broader context.
The dominant colour in the exhibition—vermilion—is charged with a certain ambivalence. It is akin to life-giving red, yet almost toxically vivid. The large-scale Untitled painting (2023-24) consists of fabric cuttings affixed to the canvas—excess mater…
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Press Release
The latest works of Jakub Czyszczoń are infused with a spirit of a peculiar ecology—newspaper sheets, dry leaves, and fragments of clothing are fused together by the artist using oil paint, forming distinctive compositions. Two untitled pieces in the current exhibition, encased in wall-mounted display cases, evoke the image of radioactive puddles or artefacts from a museum yet to be built. The choice of materials is both unexpected and deliberate, revealing, upon closer inspection, the artist’s fundamental method. Its essence lies in a game of concealment and revelation. Czyszczoń is not driven by an analytical intent, but rather by an intuitive approach—observing details from a distance and within the broader context.
The dominant colour in the exhibition—vermilion—is charged with a certain ambivalence. It is akin to life-giving red, yet almost toxically vivid. The large-scale Untitled painting (2023-24) consists of fabric cuttings affixed to the canvas—excess mater…
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