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The exhibition titled Osad comprises works that sit at the boundary of abstraction and representation, exploring themes of everyday life, inner worlds, transience, and memory. The amorphous titular matter serves not only as a thematic and metaphorical link for the exhibition but also operates on a formal level. From among the works of four artists represented by the Stereo, we selected pieces for which the phenomenon of particle settling is a key aspect.
Barbara Wesołowska’s paintings emerge through a process that is improvisational in its nature – open to chance, mistakes, and hesitations – in pursuit of the right emotional charge. The artist describes her practice as a reworking of the techniques of the so-called Old Masters, using traditional oil painting methods in a distinctly unorthodox way. As a result, Wesołowska’s works do not depict figures or scenes but rather spectres – human faces appearing within outlines of stains and paint drips – evoking an indistinct sense of…
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Press Release
The exhibition titled Osad comprises works that sit at the boundary of abstraction and representation, exploring themes of everyday life, inner worlds, transience, and memory. The amorphous titular matter serves not only as a thematic and metaphorical link for the exhibition but also operates on a formal level. From among the works of four artists represented by the Stereo, we selected pieces for which the phenomenon of particle settling is a key aspect.
Barbara Wesołowska’s paintings emerge through a process that is improvisational in its nature – open to chance, mistakes, and hesitations – in pursuit of the right emotional charge. The artist describes her practice as a reworking of the techniques of the so-called Old Masters, using traditional oil painting methods in a distinctly unorthodox way. As a result, Wesołowska’s works do not depict figures or scenes but rather spectres – human faces appearing within outlines of stains and paint drips – evoking an indistinct sense of…
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More Exhibitions at Galeria Stereo
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