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I don’t know why it never occurred to me to make larger sculptures, but once I had the thought, I couldn’t shake it.
My studio has two work tables; each measures four by eight feet, the standard size of a sheet of plywood. The doorway out is three feet wide. With my parameters established, I set about wrestling balloons, pool floats and foamcore into strange geographies, covering them with papier-mâché, then repeatedly cutting and reassembling.
Working on just two, my process felt particularly clear. It was like a scavenger hunt: Each day I’d descend the stairs to my studio where a new clue or intuited instruction was waiting for me. I never disregarded or skipped over the next step, even when I was dubious that it was the way forward.
As I write this, a year and a half later, I’m almost finished. Or maybe they’re almost finished. Or we’re almost finished.
…More
Exhibition Space
Press Release
I don’t know why it never occurred to me to make larger sculptures, but once I had the thought, I couldn’t shake it.
My studio has two work tables; each measures four by eight feet, the standard size of a sheet of plywood. The doorway out is three feet wide. With my parameters established, I set about wrestling balloons, pool floats and foamcore into strange geographies, covering them with papier-mâché, then repeatedly cutting and reassembling.
Working on just two, my process felt particularly clear. It was like a scavenger hunt: Each day I’d descend the stairs to my studio where a new clue or intuited instruction was waiting for me. I never disregarded or skipped over the next step, even when I was dubious that it was the way forward.
As I write this, a year and a half later, I’m almost finished. Or maybe they’re almost finished. Or we’re almost finished.
…More
