STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
STRIP TO THE BONES
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Press Release
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“STRIP TO THE BONES” establishes a dialogue between Barbara Hammer’s cinematic work Sanctus (1990) and a new series of abstract paintings on nailed paper and canvas by Margaux Meyer.


Both artists reject classical forms of representation and break with a certain aesthetic tradition, where experimental cinema replaces genre cinema, and abstraction supplants figuration. Their thinking is shaped by reactions and sensations that place the body at the center of their work. Their practices are articulated through phenomenological elements—sensitive and gestural—resulting in a strong organic, then erotic, tension that allows the represented subjects to exist freely. Meyer’s painting breaks away from the physical laws that constrain the body in its representation, manifesting as the distension of cellular tissues, which seem to stretch to the point of rupture, to the point of ecstasy.


Composed from animated...More expand_more

Exhibition Space
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38 Rue Notre Dame de Nazareth, 75003 Paris, France
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Created by typhoon on Oct 04, 2025 at 14:34
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STRIP TO THE BONES
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Image: Grégory Copitet, Youna Virus / Galerie Derouillon
Press Release
edit

“STRIP TO THE BONES” establishes a dialogue between Barbara Hammer’s cinematic work Sanctus (1990) and a new series of abstract paintings on nailed paper and canvas by Margaux Meyer.


Both artists reject classical forms of representation and break with a certain aesthetic tradition, where experimental cinema replaces genre cinema, and abstraction supplants figuration. Their thinking is shaped by reactions and sensations that place the body at the center of their work. Their practices are articulated through phenomenological elements—sensitive and gestural—resulting in a strong organic, then erotic, tension that allows the represented subjects to exist freely. Meyer’s painting breaks away from the physical laws that constrain the body in its representation, manifesting as the distension of cellular tissues, which seem to stretch to the point of rupture, to the point of ecstasy.


Composed from animated...More expand_more

Exhibition Space
edit
View exhibitionspace
38 Rue Notre Dame de Nazareth, 75003 Paris, France
View all exhibitions in... Paris, FR
More Exhibitions at Galerie Derouillon
View exhibition
Sep 03, 2025 — Oct 04, 2025
Galerie Derouillon13 R. de Turbigo, 75002 Paris, France
View exhibition
Apr 17, 2025 — May 17, 2025
Galerie Derouillon13 R. de Turbigo, 75002 Paris, France
View exhibition
Mar 08, 2025 — Apr 05, 2025
Galerie Derouillon38 Rue Notre Dame de Nazareth, 75003 Paris, France
View exhibition
Feb 20, 2025 — Apr 05, 2025
Galerie Derouillon13 R. de Turbigo, 75002 Paris, France
View exhibition
Jan 08, 2025 — Feb 15, 2025
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More
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Jun 12, 2025 — Jul 26, 2025
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Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by typhoon on Oct 04, 2025 at 14:34
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.