L'antre de l'épouvantail
Galerie Territoires Partagés•Aug 30, 2025 — Nov 15, 2025
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Interview with Yoan Sorin
Questions by Stéphane Guglielmet
Can you explain how you built the exhibition project?
The central figure I wanted to work with was the scarecrow, connected to my recent exhibitions. What I enjoyed most was creating a human figure from leftover materials from the exhibition spaces where I work. I wanted to reach a form of self-sufficiency and find a resonance between my personal history and that of the site. The personification of remnants from past exhibitions, staged in this way, felt satisfying. I realized that the scarecrow, meant to scare birds, is actually the most welcoming form possible: with its outstretched arms, it’s a perfect nesting spot. You often see a scarecrow with a bird perched on it. I began to wonder if, in fact, the scarecrow wasn’t a creative outlet for farmers—a space of completely free creation. Maybe they were making…
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L'antre de l'épouvantail
Galerie Territoires Partagés•Aug 30, 2025 — Nov 15, 2025
Press Release
Interview with Yoan Sorin
Questions by Stéphane Guglielmet
Can you explain how you built the exhibition project?
The central figure I wanted to work with was the scarecrow, connected to my recent exhibitions. What I enjoyed most was creating a human figure from leftover materials from the exhibition spaces where I work. I wanted to reach a form of self-sufficiency and find a resonance between my personal history and that of the site. The personification of remnants from past exhibitions, staged in this way, felt satisfying. I realized that the scarecrow, meant to scare birds, is actually the most welcoming form possible: with its outstretched arms, it’s a perfect nesting spot. You often see a scarecrow with a bird perched on it. I began to wonder if, in fact, the scarecrow wasn’t a creative outlet for farmers—a space of completely free creation. Maybe they were making…
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