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New work produced by John Miličić builds on his previous series of travel paintings featuring mosaic landscape compositions in encaustic on MDF boards. In the visual sequences of various island and urban routes, often repetitive and deliberately extended or condensed in rhythm, the artist skewed his memory and perception to highlight the invisible, sensory, and dynamic material quality of the external world.
Showcased here are three new rhythmic units, each based on the landscapes Miličić observed while driving around his native island of Hvar. The central piece consists of four monumental paintings depicting a sudden curve, a sharp turn where beams of darkness and light collide. The other two units are equally dynamic, one illustrating a fragmented ride uphill, the other a descent. These landscapes in motion place the observer, the artist, in the passenger seat. The absence of a visible figure makes us feel his gaze more intensely, interpret it differently, even question the...More
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Press Release
New work produced by John Miličić builds on his previous series of travel paintings featuring mosaic landscape compositions in encaustic on MDF boards. In the visual sequences of various island and urban routes, often repetitive and deliberately extended or condensed in rhythm, the artist skewed his memory and perception to highlight the invisible, sensory, and dynamic material quality of the external world.
Showcased here are three new rhythmic units, each based on the landscapes Miličić observed while driving around his native island of Hvar. The central piece consists of four monumental paintings depicting a sudden curve, a sharp turn where beams of darkness and light collide. The other two units are equally dynamic, one illustrating a fragmented ride uphill, the other a descent. These landscapes in motion place the observer, the artist, in the passenger seat. The absence of a visible figure makes us feel his gaze more intensely, interpret it differently, even question the...More