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As we continue with the lucky series of plain-spoken press releases, arises from the text “How NOT TO write a press release”, we reach the end of another season (from September to July). Year #51 of this wonderful adventure…
When we first met Haris Epaminonda as a promising young woman, we fell in love with her way of approaching art: her Cypriot extraction, culture and traditions necessarily led her to focus on both ancient myths and the signs of a present which is fragile yet beautiful.
On her travels, Haris carries boxes, crates, and saddlebags full of everyday objects that first capture her attention and later fuel her imagination. Objects that connect a touristy present to a past that has become mythical, if nothing else because of the time that has elapsed.
The time that goes by and recedes into the mists of memory, turning everything to dust and sand, is also the element that embeds people and things in myth.
And the colour of Epaminonda’s...More
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Press Release
As we continue with the lucky series of plain-spoken press releases, arises from the text “How NOT TO write a press release”, we reach the end of another season (from September to July). Year #51 of this wonderful adventure…
When we first met Haris Epaminonda as a promising young woman, we fell in love with her way of approaching art: her Cypriot extraction, culture and traditions necessarily led her to focus on both ancient myths and the signs of a present which is fragile yet beautiful.
On her travels, Haris carries boxes, crates, and saddlebags full of everyday objects that first capture her attention and later fuel her imagination. Objects that connect a touristy present to a past that has become mythical, if nothing else because of the time that has elapsed.
The time that goes by and recedes into the mists of memory, turning everything to dust and sand, is also the element that embeds people and things in myth.
And the colour of Epaminonda’s...More
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