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The exhibition consists of a spatially composed sculptural installation. Sculpted from everyday materials, the work relates to experiences of life, ageing, vitality and decay of both the body and material environments.
The works draw from affective memory of the 1990s domestic sphere lingering in the body and culture. They take shape in forms and things that carry an ambivalent spirit of desire, loss and attachment, mixed with warmth and ickyness. Reworked domestic textiles, objects, parts of furniture, and fragments of household appliances perform scenes of micro-drama that express both first-person experience and the layered life and relationships of the materials themselves. Covering and uncovering, meandering patterns, and cut or partially revealed structures fold and bind into one another. Together they form everyday and emotional infrastructures: semi-open spaces of repetition, accumulation, weariness and persistence.
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Press Release
The exhibition consists of a spatially composed sculptural installation. Sculpted from everyday materials, the work relates to experiences of life, ageing, vitality and decay of both the body and material environments.
The works draw from affective memory of the 1990s domestic sphere lingering in the body and culture. They take shape in forms and things that carry an ambivalent spirit of desire, loss and attachment, mixed with warmth and ickyness. Reworked domestic textiles, objects, parts of furniture, and fragments of household appliances perform scenes of micro-drama that express both first-person experience and the layered life and relationships of the materials themselves. Covering and uncovering, meandering patterns, and cut or partially revealed structures fold and bind into one another. Together they form everyday and emotional infrastructures: semi-open spaces of repetition, accumulation, weariness and persistence.
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