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“Je bâtis a roches mon langage.”
I build my language with rocks.
—Éduard Glissant, Poetics of Relation
Gattopardo is thrilled to present a solo exhibition by Stanya Kahn. Love Hours: rites and curses features new works made between 2023–2025. A two-room installation that includes a new 4-minute animation (with sound), paintings and ceramic, resin and wood sculptures.
“With its labor-intensive materiality, Love Hours is a heavily embodied space and also ephemeral: spectral grief-haunts are invoked as well as those that might ferry curses and spells. Exhausted by the unrelenting clamor of the West (in all its violences—psychic, semiotic, physical), exasperated with language under the duress of witnessing and organizing against non-stop (and ongoing) genocide, new colonial boomerangs, recurring imperial ruptures, and personal trials—I started making objects, images and sound with an urgency and density of care related to my own sense of teetering at the edge of abyss, beside myself as in…
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Press Release
“Je bâtis a roches mon langage.”
I build my language with rocks.
—Éduard Glissant, Poetics of Relation
Gattopardo is thrilled to present a solo exhibition by Stanya Kahn. Love Hours: rites and curses features new works made between 2023–2025. A two-room installation that includes a new 4-minute animation (with sound), paintings and ceramic, resin and wood sculptures.
“With its labor-intensive materiality, Love Hours is a heavily embodied space and also ephemeral: spectral grief-haunts are invoked as well as those that might ferry curses and spells. Exhausted by the unrelenting clamor of the West (in all its violences—psychic, semiotic, physical), exasperated with language under the duress of witnessing and organizing against non-stop (and ongoing) genocide, new colonial boomerangs, recurring imperial ruptures, and personal trials—I started making objects, images and sound with an urgency and density of care related to my own sense of teetering at the edge of abyss, beside myself as in…
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