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This is a small retrospective of Brussels -based, Swiss artist BERNARD VOÏTA (born 1960 in Cully, CH). It features sculptures and photographs covering 30 years of his practice. The artist moved to Brussels in the late 1980s and has kept a studio here ever since, occupying the last floor of a town house he rebuilt with his late partner. This exhibition is the first comprehensive presentation of his work in the city.
In Ancient Greek temples, Adyton was a restricted room, a closed off space that nonetheless contained a cult image of what was worshiped. This space was represented only in the narratives around it, thought in and out of the temple; it existed in the mind of those who never saw it. Adyton, the title of this exhibition, hints at Voïta’s interest in the ways mental and physical spaces merge.
Voïta’s photographs are images of physical objects he sets up in his studio. As flat representations, they depart from their subject: One instead sees a camera, a building, a straight cut,…
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Press Release
This is a small retrospective of Brussels -based, Swiss artist BERNARD VOÏTA (born 1960 in Cully, CH). It features sculptures and photographs covering 30 years of his practice. The artist moved to Brussels in the late 1980s and has kept a studio here ever since, occupying the last floor of a town house he rebuilt with his late partner. This exhibition is the first comprehensive presentation of his work in the city.
In Ancient Greek temples, Adyton was a restricted room, a closed off space that nonetheless contained a cult image of what was worshiped. This space was represented only in the narratives around it, thought in and out of the temple; it existed in the mind of those who never saw it. Adyton, the title of this exhibition, hints at Voïta’s interest in the ways mental and physical spaces merge.
Voïta’s photographs are images of physical objects he sets up in his studio. As flat representations, they depart from their subject: One instead sees a camera, a building, a straight cut,…
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More Exhibitions at Gauli Zitter
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