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With this retrospective of the work of Slovak artist Stano Filko, which has long been in preparation, the HALLE FÜR KUNST Steiermark takes a fresh look at a sustainably influential and utopian body of work. With generous loans from the Slovak National Gallery and the Linea Collection, Bratislava, this exhibition highlights the significance of this outstanding artistic position and its progressive design for society for today’s less visionary times.
Filko was an important representative of the central European neo-avant-gardes, with an oeuvre that developed over many decades and remains remarkably contemporary. He had great success in the 1960s but then became a persona non grata after the Prague Spring was defeated, and after several years he fled the country in daredevil manner in a Škoda 120L, which he then painted white and presented at the center of his participation in Documenta 7. Thereafter Filko emigrated to New York....More
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Press Release
With this retrospective of the work of Slovak artist Stano Filko, which has long been in preparation, the HALLE FÜR KUNST Steiermark takes a fresh look at a sustainably influential and utopian body of work. With generous loans from the Slovak National Gallery and the Linea Collection, Bratislava, this exhibition highlights the significance of this outstanding artistic position and its progressive design for society for today’s less visionary times.
Filko was an important representative of the central European neo-avant-gardes, with an oeuvre that developed over many decades and remains remarkably contemporary. He had great success in the 1960s but then became a persona non grata after the Prague Spring was defeated, and after several years he fled the country in daredevil manner in a Škoda 120L, which he then painted white and presented at the center of his participation in Documenta 7. Thereafter Filko emigrated to New York....More