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Closer Look

Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
Closer Look
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Press Release

There’s a moment when you first see See bei Tag oder Die andere Seite (Loosely, “The Other Side of the Lake”), the largest work in Closer Look, our second solo exhibition with Austrian painter Eiko G. In this moment, the work’s subject cannot be determined; the eye is lost in a large expanse of cerulean blue, seeking, parsing, straining to make familiar forms out of smears and splotches. Those forms include ripples in the water’s surface that might be limbs, creatures, or nothing at all, an outcropping of buildings, outlined but not filled-in, perched delicately at the lake’s edge, rolling hills that seem to be composed of celluloid, combusting in a film projector, and a hovering periwinkle cloud, more phantom than ordinary cumulus. In this pre-recognition moment, we understand we are facing something familiar, something that represents a concrete place, yet, we are full of doubt. This is the moment Eiko seeks to expand, to turn from a split-second flash into an ocean of experience.…

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88 Walker St, New York, NY 10013, USA
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Created by nannou on May 08, 2025 at 12:47
Edited by AcidCask on Nov 15, 2025 at 15:53
Edits: 2
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Closer Look
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Courtesy: Harkawik
SOLO EXHIBITION

Closer Look

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Press Release

There’s a moment when you first see See bei Tag oder Die andere Seite (Loosely, “The Other Side of the Lake”), the largest work in Closer Look, our second solo exhibition with Austrian painter Eiko G. In this moment, the work’s subject cannot be determined; the eye is lost in a large expanse of cerulean blue, seeking, parsing, straining to make familiar forms out of smears and splotches. Those forms include ripples in the water’s surface that might be limbs, creatures, or nothing at all, an outcropping of buildings, outlined but not filled-in, perched delicately at the lake’s edge, rolling hills that seem to be composed of celluloid, combusting in a film projector, and a hovering periwinkle cloud, more phantom than ordinary cumulus. In this pre-recognition moment, we understand we are facing something familiar, something that represents a concrete place, yet, we are full of doubt. This is the moment Eiko seeks to expand, to turn from a split-second flash into an ocean of experience.…

More expand_more
Exhibition Space
View exhibitionspace
88 Walker St, New York, NY 10013, USA
View all exhibitions in... New York, NY, US
Represent Harkawik? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
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Guestbook
All comments: 0
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Metadata
verified Complete entry
Created by nannou on May 08, 2025 at 12:47
Edited by AcidCask on Nov 15, 2025 at 15:53
Edits: 2
Views:
Claims
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