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The Skin of Memory exhibition outlines the fragile boundary between surface and carnality, where the image itself reveals and conceals what lies beneath. Here, the surface is not just an imaginary skin that can be pierced, but an unstable plane where desire, memory, and the impermanence of the body meet. Anna-Marie Berdychová’s photographs glide across its smooth surface, which she then transforms into sculptural objects, and Paweł Sobczak’s evocative paintings play with the tension between traditional perspective depth and flattening. Together, their works offer speculation on how emotional experiences can distort the reconstruction of the past and transform the perception of one’s own identity.
So what happens when we let ourselves be guided by the delicate web of sensations and look beneath the surface of things? The exhibition shows us a way to think about the intensity of affective flow that shapes and fulfills life. Reflecting on affec…
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Press Release
The Skin of Memory exhibition outlines the fragile boundary between surface and carnality, where the image itself reveals and conceals what lies beneath. Here, the surface is not just an imaginary skin that can be pierced, but an unstable plane where desire, memory, and the impermanence of the body meet. Anna-Marie Berdychová’s photographs glide across its smooth surface, which she then transforms into sculptural objects, and Paweł Sobczak’s evocative paintings play with the tension between traditional perspective depth and flattening. Together, their works offer speculation on how emotional experiences can distort the reconstruction of the past and transform the perception of one’s own identity.
So what happens when we let ourselves be guided by the delicate web of sensations and look beneath the surface of things? The exhibition shows us a way to think about the intensity of affective flow that shapes and fulfills life. Reflecting on affec…
