GROUP EXHIBITION

Bluets

Bluets
Bluets
Bluets
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Press Release

Artists have long been captivated by the color blue. Sam Francis called blue the “color of speculation, as it is full of shadow,” while Louise Bourgeois ruminated that the color blue “means you have left the drabness of day-to-day reality to be transported into … a world of freedom where you can say what you like and what you don’t like.” Pop-psychology (and interior design) like to single out blue for its “calming” effect and its ability to activate our parasympathetic nervous system: there is no danger present with the color blue.

This exhibition, curated by James Evans, brings together an array of artists who use blue in their paintings to very different ends. In works like Ludwig Sander’s Sky I (1960) and Theodoros Stamos’s Infinity Lake (1980), blue is so thoroughly massaged into the paintings’ picture plane and structure that it becomes much more than just a compositional element. On the other hand, works such as Irene Monat Stern’s Untitled (c. 1975) employ blue with a lighter…

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Exhibition Space
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521 W 26th St, New York, NY 10001, USA
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Created by frenchmontana on Mar 28, 2025 at 13:59
Edited by alex on Mar 28, 2025 at 14:00
Edits: 1
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Bluets
Image gallery (3)
Courtesy: Hollis Taggart
GROUP EXHIBITION

Bluets

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Press Release

Artists have long been captivated by the color blue. Sam Francis called blue the “color of speculation, as it is full of shadow,” while Louise Bourgeois ruminated that the color blue “means you have left the drabness of day-to-day reality to be transported into … a world of freedom where you can say what you like and what you don’t like.” Pop-psychology (and interior design) like to single out blue for its “calming” effect and its ability to activate our parasympathetic nervous system: there is no danger present with the color blue.

This exhibition, curated by James Evans, brings together an array of artists who use blue in their paintings to very different ends. In works like Ludwig Sander’s Sky I (1960) and Theodoros Stamos’s Infinity Lake (1980), blue is so thoroughly massaged into the paintings’ picture plane and structure that it becomes much more than just a compositional element. On the other hand, works such as Irene Monat Stern’s Untitled (c. 1975) employ blue with a lighter…

More expand_more
Exhibition Space
View exhibitionspace
521 W 26th St, New York, NY 10001, USA
View all exhibitions in... New York, NY, US
Represent Hollis Taggart? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
More Exhibitions at Hollis Taggart
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Hollis TaggartNew York, NY, US
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Guestbook
All comments: 0
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Metadata
verified Complete entry
Created by frenchmontana on Mar 28, 2025 at 13:59
Edited by alex on Mar 28, 2025 at 14:00
Edits: 1
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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