A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
A Spiralling Ascent. Looking back from the End
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Press Release
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A lava plume erupts from the surface, burning what lies in its path, creating new earth, new islands, sprawling territory. Molten mantle recedes into the earth when it hits resistance, seeking a softer exit from below. It leaves behind cavities carved out fire in rock, but it does not disappear, it opens fissures in other places, creating a tellurian network of untraceable hollows.


The autonomy of art was nothing more than a pretension of modernism, and today, we understand art not as timeless, but part of a moving contextual flux. A sculpture always reacts to its environment, to the constellation of elements that surround it in exhibitions, and to the viewers that move around it. Yet, it always retains a trace of its spatial and physical archive, creating wormholes between contexts, audiences, and ideas.


Raisa Maudit’s A Spiralling Ascent: Looking Back From the End, curated by Martí Manen, took...More expand_more

Exhibition Space
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Carrer de Ca l'Alegre de Dalt, 55, Baixos C, Gracia, 08024 Barcelona, Spain
View all exhibitions in... Barcelona, ES
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Created by life_size on Nov 04, 2025 at 16:07
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A Spiralling Ascent. Looking back from the End
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Image: Roberto Ruiz / House Of Chappaz
Press Release
edit

A lava plume erupts from the surface, burning what lies in its path, creating new earth, new islands, sprawling territory. Molten mantle recedes into the earth when it hits resistance, seeking a softer exit from below. It leaves behind cavities carved out fire in rock, but it does not disappear, it opens fissures in other places, creating a tellurian network of untraceable hollows.


The autonomy of art was nothing more than a pretension of modernism, and today, we understand art not as timeless, but part of a moving contextual flux. A sculpture always reacts to its environment, to the constellation of elements that surround it in exhibitions, and to the viewers that move around it. Yet, it always retains a trace of its spatial and physical archive, creating wormholes between contexts, audiences, and ideas.


Raisa Maudit’s A Spiralling Ascent: Looking Back From the End, curated by Martí Manen, took...More expand_more

Exhibition Space
edit
View exhibitionspace
Carrer de Ca l'Alegre de Dalt, 55, Baixos C, Gracia, 08024 Barcelona, Spain
View all exhibitions in... Barcelona, ES
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Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by life_size on Nov 04, 2025 at 16:07
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.