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The group show Reproductive Matters takes the concept of reproduction as a starting point to reflect on its multiple meanings and their intersections through five artistic positions.
In her sculptures, Ana Navas explores the history of the creation and development of design and art objects. Her works Una fuente iluminada por luces de colores [A fountain illuminated with colored lights] (2022) and Mozo con smoking (2022) play with the transformation and imitation of works of art: Their original forms and visual language(s) flow through numerous translations into design and everyday objects. Navas sees her work as a ‘manual imitation of this industrial labor’ and as a return to the (original) materiality. Her practice negotiates ideas of accessibility, commodification, imitation and appropriation of images.
In Zuzanna Czebatul‘s tapestries from the series A Trillion Threads Still Weaving (2023), the artist has reproduced excerpts from...More
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The group show Reproductive Matters takes the concept of reproduction as a starting point to reflect on its multiple meanings and their intersections through five artistic positions.
In her sculptures, Ana Navas explores the history of the creation and development of design and art objects. Her works Una fuente iluminada por luces de colores [A fountain illuminated with colored lights] (2022) and Mozo con smoking (2022) play with the transformation and imitation of works of art: Their original forms and visual language(s) flow through numerous translations into design and everyday objects. Navas sees her work as a ‘manual imitation of this industrial labor’ and as a return to the (original) materiality. Her practice negotiates ideas of accessibility, commodification, imitation and appropriation of images.
In Zuzanna Czebatul‘s tapestries from the series A Trillion Threads Still Weaving (2023), the artist has reproduced excerpts from...More