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For his first solo exhibition at KOW, Monsieur Zohore transforms the gallery into a climatological field—entering Whether the Weather, four oscillating ventilators Wirbelsturm Marianne, Susanne, Sabine, Hildegard turn their heads as if in greeting. Their motors hum, their blades slice through the space, and the gallery itself becomes alive with air currents, movement, sound, and presence. Visitors are swept along in the environment these mechanical actors create, as if the works themselves are taking their temperature. The ventilators observe, approach, and engage the audience: moving portraits and hurricanes, shaping both the physical and psychic climate of the space.
The exhibition unfolds as a shifting forecast, part archive, carnival and aquarium, bringing together fragments from myth and history, children’s rhymes, German and American popular culture. It is titled after an American tongue twister that insists on endurance, doubling as a forecast for the show. MZ.30 (Diva)…
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Press Release
For his first solo exhibition at KOW, Monsieur Zohore transforms the gallery into a climatological field—entering Whether the Weather, four oscillating ventilators Wirbelsturm Marianne, Susanne, Sabine, Hildegard turn their heads as if in greeting. Their motors hum, their blades slice through the space, and the gallery itself becomes alive with air currents, movement, sound, and presence. Visitors are swept along in the environment these mechanical actors create, as if the works themselves are taking their temperature. The ventilators observe, approach, and engage the audience: moving portraits and hurricanes, shaping both the physical and psychic climate of the space.
The exhibition unfolds as a shifting forecast, part archive, carnival and aquarium, bringing together fragments from myth and history, children’s rhymes, German and American popular culture. It is titled after an American tongue twister that insists on endurance, doubling as a forecast for the show. MZ.30 (Diva)…
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