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The faggots and their friends and the women who love women can, they begin to know, stop and do no-thing. That is something for them to do.
– Larry Mitchell, The Faggots & Their Friends Between Revolutions (1977)
The roof of this 200-year-old barn that is Kunsthal Thy has been imprinted onto canvas through a rust-dying technique to record its structure and materiality. This is the first timestamp of Saving Nine and the basis of Elif Saydam’s invitation for collective labor. The exhibition will undergo several transformations under their guidance and result in a collaborative artwork. This piece will remain at the service of the institution for future gatherings.
Dyeing, stitching, eating, cutting, chatting, sipping… These are some of the activities open to participants. The roof-imprint becomes a backdrop for banners hanging in the space, which are meant to be chopped up into smaller pieces and repurposed. These panels will then be quilted in the first workshops of the exhibition,…
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Press Release
The faggots and their friends and the women who love women can, they begin to know, stop and do no-thing. That is something for them to do.
– Larry Mitchell, The Faggots & Their Friends Between Revolutions (1977)
The roof of this 200-year-old barn that is Kunsthal Thy has been imprinted onto canvas through a rust-dying technique to record its structure and materiality. This is the first timestamp of Saving Nine and the basis of Elif Saydam’s invitation for collective labor. The exhibition will undergo several transformations under their guidance and result in a collaborative artwork. This piece will remain at the service of the institution for future gatherings.
Dyeing, stitching, eating, cutting, chatting, sipping… These are some of the activities open to participants. The roof-imprint becomes a backdrop for banners hanging in the space, which are meant to be chopped up into smaller pieces and repurposed. These panels will then be quilted in the first workshops of the exhibition,…
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More Exhibitions at Kunsthal Thy
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