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Under the pseudonym [ a n y m a ], the artist Michael Egger has been creating instruments and other audiovisual installations at the frontier between art and technology for 25 years. In Friart, he is opening the doors of his prolific universe to us by rearranging some of his projects in an extensive immersive environment. His creations are sometimes designed as instruments to be used in live performance. Here they have been assembled as the different parts of a big electronic machine on the point of veering out of control.
Feedback Follies is a world saturated by wires, screens, potentiometers and special effects. Various devices send out electronic signals that are transformed into unstable visual forms on screen. The presence of exhibition visitors impacts on its workings but it is impossible to tell what has an effect on what. For Egger, a multimedia artist who works with opensource protocols, research and exploration count as much, if not more, as the finished product....More
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Press Release
Under the pseudonym [ a n y m a ], the artist Michael Egger has been creating instruments and other audiovisual installations at the frontier between art and technology for 25 years. In Friart, he is opening the doors of his prolific universe to us by rearranging some of his projects in an extensive immersive environment. His creations are sometimes designed as instruments to be used in live performance. Here they have been assembled as the different parts of a big electronic machine on the point of veering out of control.
Feedback Follies is a world saturated by wires, screens, potentiometers and special effects. Various devices send out electronic signals that are transformed into unstable visual forms on screen. The presence of exhibition visitors impacts on its workings but it is impossible to tell what has an effect on what. For Egger, a multimedia artist who works with opensource protocols, research and exploration count as much, if not more, as the finished product....More
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More Exhibitions at Kunsthalle Friart Fribourg
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