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Iris Touliatou develops her works in relation to the infrastructures and processes—spatial, administrative, linguistic—that are inherent to the site of exhibition. Her solo exhibition Shifts at Kunstverein München, her most extensive in Germany to date, is conceived as a site-responsive constellation of scenes that position the institutional framework both as backdrop and as co-constitutive material. In this way, the exhibition anchors itself within the rhythms and procedures of the Kunstverein, at the same time expanding them. Composed as protocols, Touliatou’s works reveal the mechanisms that govern organizations and their actors, while extending beyond the procedural to questions of affect, labor, and language.
At the core of Touliatou’s practice lies a kind of material and immaterial intervention, aligning with Kunstverein München’s commitment to rethinking its own functions and histories. “Object/scenes,” a term bor…
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Iris Touliatou develops her works in relation to the infrastructures and processes—spatial, administrative, linguistic—that are inherent to the site of exhibition. Her solo exhibition Shifts at Kunstverein München, her most extensive in Germany to date, is conceived as a site-responsive constellation of scenes that position the institutional framework both as backdrop and as co-constitutive material. In this way, the exhibition anchors itself within the rhythms and procedures of the Kunstverein, at the same time expanding them. Composed as protocols, Touliatou’s works reveal the mechanisms that govern organizations and their actors, while extending beyond the procedural to questions of affect, labor, and language.
At the core of Touliatou’s practice lies a kind of material and immaterial intervention, aligning with Kunstverein München’s commitment to rethinking its own functions and histories. “Object/scenes,” a term bor…
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