Slowly Painted Dramatic Metaphysics
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Góth Martin’s latest solo exhibition creates an intense dialogue between the interlocking structures of vision, cognition, and painting - with the precision of surgical technique. In this meticulously composed body of work, metaphysics emerges not only as an abstract philosophical concept, but also as a performative act: an aesthetic staging of dramatized visual worlds where ordinary elements of everyday reality merge with otherworldly suspicions and liminal experiences.
Góth’s paintings achieve this by treating seemingly inanimate objects as living protagonists, and pictorial space as a vibrant theatrical stage. The sharply contoured, hard-edge forms reminiscent of robotic arms can be viewed as allegorical extensions of the tools that produced them - pencil, scalpel, and box cutter. The compositions in his recent work are no longer determined by the grid structures of pixel-based reality, but rather by the visual language of pittura metafisica, particularly Giorgio de...More
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Slowly Painted Dramatic Metaphysics
Press Release
Góth Martin’s latest solo exhibition creates an intense dialogue between the interlocking structures of vision, cognition, and painting - with the precision of surgical technique. In this meticulously composed body of work, metaphysics emerges not only as an abstract philosophical concept, but also as a performative act: an aesthetic staging of dramatized visual worlds where ordinary elements of everyday reality merge with otherworldly suspicions and liminal experiences.
Góth’s paintings achieve this by treating seemingly inanimate objects as living protagonists, and pictorial space as a vibrant theatrical stage. The sharply contoured, hard-edge forms reminiscent of robotic arms can be viewed as allegorical extensions of the tools that produced them - pencil, scalpel, and box cutter. The compositions in his recent work are no longer determined by the grid structures of pixel-based reality, but rather by the visual language of pittura metafisica, particularly Giorgio de...More
