OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR
Management•Sep 06, 2025 — Oct 26, 2025
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Management is pleased to present OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR, the second solo exhibition of New York-based Vladislav Markov at the gallery. Markov created an environment reminiscent of a seedy strip club that viewers are able to observe from within a black box behind a one-way mirror wall, not unlike that of a monitoring room in an interrogation context. The performers in the space are amputees Markov contracted online, for whom he has created custom prosthetics for the duration of the exhibition. The sound playing inside the exhibition draws on the tradition of world-specific entertainment radio for various video games like the Grand Theft Auto series. Performances take place every Saturday.
Sound mix by ssaliva.
Sound contributions from ssaliva, Vipra Sativa, emma dj, and Jon Rafman. Special thanks to Fish Witcher, Caroline Drevait, Giga Meladze, and Ted Riederer. Text by Nicolas Bourriaud.
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Since the beginning of t…
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OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR
Management•Sep 06, 2025 — Oct 26, 2025
Press Release
Management is pleased to present OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR, the second solo exhibition of New York-based Vladislav Markov at the gallery. Markov created an environment reminiscent of a seedy strip club that viewers are able to observe from within a black box behind a one-way mirror wall, not unlike that of a monitoring room in an interrogation context. The performers in the space are amputees Markov contracted online, for whom he has created custom prosthetics for the duration of the exhibition. The sound playing inside the exhibition draws on the tradition of world-specific entertainment radio for various video games like the Grand Theft Auto series. Performances take place every Saturday.
Sound mix by ssaliva.
Sound contributions from ssaliva, Vipra Sativa, emma dj, and Jon Rafman. Special thanks to Fish Witcher, Caroline Drevait, Giga Meladze, and Ted Riederer. Text by Nicolas Bourriaud.
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Since the beginning of t…
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