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Ozioma Onuzulike: Who Knows Tomorrow

Ozioma Onuzulike: Who Knows Tomorrow
Ozioma Onuzulike: Who Knows Tomorrow
Ozioma Onuzulike: Who Knows Tomorrow
Ozioma Onuzulike: Who Knows Tomorrow
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Press Release
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In Ozioma Onuzulike's workshop in Nsukka, Nigeria, the fiery core of the kiln is a crucible of radical transformation. Within this space, the artist experiments, explores, and forges a universal language- one without a name, yet shared across borders. Here, art transcends national divisions, creating dialogues that connect rather than divide. Using pigments from the UK, clay from Nigeria, and exhibiting in New York, Onuzulike's work speaks in a boundless, cross-cultural discourse.

A major source of inspiration for Onuzulike’s work is his mentor and teacher, Ghanaian sculptor El Anatsui, particularly his series of broken pots from the 1970s. Onuzulike extends these ideas to his art making; his process - cutting, smashing, and subjecting clay to violent force - mirrors historical ruptures, evoking war and colonial exploitation. Fire, both destructive and creative, is central to this narrative, transforming materials in an irreversible act of transmutation.

A recurring...More expand_more

Exhibition Space
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299 Grand St, New York, NY 10002, USA
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Created by plaguedog on Apr 23, 2025 at 15:44
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Ozioma Onuzulike: Who Knows Tomorrow
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Image: Marc Straus Gallery
SOLO EXHIBITION

Ozioma Onuzulike: Who Knows Tomorrow

Press Release
edit

In Ozioma Onuzulike's workshop in Nsukka, Nigeria, the fiery core of the kiln is a crucible of radical transformation. Within this space, the artist experiments, explores, and forges a universal language- one without a name, yet shared across borders. Here, art transcends national divisions, creating dialogues that connect rather than divide. Using pigments from the UK, clay from Nigeria, and exhibiting in New York, Onuzulike's work speaks in a boundless, cross-cultural discourse.

A major source of inspiration for Onuzulike’s work is his mentor and teacher, Ghanaian sculptor El Anatsui, particularly his series of broken pots from the 1970s. Onuzulike extends these ideas to his art making; his process - cutting, smashing, and subjecting clay to violent force - mirrors historical ruptures, evoking war and colonial exploitation. Fire, both destructive and creative, is central to this narrative, transforming materials in an irreversible act of transmutation.

A recurring...More expand_more

Exhibition Space
edit
View exhibitionspace
299 Grand St, New York, NY 10002, USA
View all exhibitions in... New York, NY, US
More Exhibitions at Marc Straus Gallery
View exhibition
Mar 20, 2025 — May 11, 2025
Marc Straus GalleryNew York, NY, US
View exhibition
Jan 23, 2025 — Mar 01, 2025
Marc Straus GalleryNew York, NY, US
Similar Exhibitions
View exhibition
ON VIEW
Through Oct 25, 2025
Pace GalleryNew York, NY, US
View exhibition
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Through Oct 25, 2025
Chapter NYNew York, NY, US
View exhibition
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Through Oct 25, 2025
Maxwell GrahamNew York, NY, US
View exhibition
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Through Oct 25, 2025
Theta + 1 moreNew York, NY, US
View exhibition
ON VIEW
Through Oct 25, 2025
Sebastian GladstoneNew York, NY, US
More
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by plaguedog on Apr 23, 2025 at 15:44
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.