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Cool people enter the exhibition space. The exhibition provides digital cameras and a green screen. People take photos of each other. The resulting shots show the figures against a blank background, the gallery itself made invisible. It's a really cool exhibition: Realtime in the foreground. The potential to act in a boundless space. The call to action is handed over to the beholders, skillfully indicating that the artist's action here is the gesture that declares change to be material.
No, I didn't opt for the green screen here. I would have avoided the pipe problem in Matteo's exhibition space. The drainpipe on the ceiling is aesthetically incommensurable to the other things and Erzeugnisse in the room. But I don't feel the need to simply gesture towards what is absent, despite the allure of 'really seeing' a veiled past moment that determines the sequence of transience.
In Muse…
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Press Release
Cool people enter the exhibition space. The exhibition provides digital cameras and a green screen. People take photos of each other. The resulting shots show the figures against a blank background, the gallery itself made invisible. It's a really cool exhibition: Realtime in the foreground. The potential to act in a boundless space. The call to action is handed over to the beholders, skillfully indicating that the artist's action here is the gesture that declares change to be material.
No, I didn't opt for the green screen here. I would have avoided the pipe problem in Matteo's exhibition space. The drainpipe on the ceiling is aesthetically incommensurable to the other things and Erzeugnisse in the room. But I don't feel the need to simply gesture towards what is absent, despite the allure of 'really seeing' a veiled past moment that determines the sequence of transience.
In Muse…
More