Anna Slama & Marek Delong: Resting Horizon
MeetFactory•Oct 30, 2025 — Jan 11, 2026
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The exhibition by Anna Slama and Marek Delong at Kostka Gallery follows on from their projects Maglev at Karpuchina Gallery (2022) and Time Has Torn the Curtain at NoD Gallery (2024), presenting the duo’s current trajectory. While still rooted in DIY aesthetics, the fantastical, and handcraft, their new, predominantly wooden objects – with their forms and smooth,polished surfaces – foreground the dynamics of motion, openly drawing on the ergonomic product-design aesthetics of the 2000s.
At the heart of the installation is a pair of chaise longues positioned opposite each other. Deliberately left empty, they do not invite the audience to sit; we can, however, lie down in them in our minds and “just look” – and yet, on a certain level, a dialogue may unfold between us. Two luminous portals open on the walls, which are at once stylised portraits of figures looking not “past the viewer” but at one another. Their faces and expressions disregard…
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Anna Slama & Marek Delong: Resting Horizon
MeetFactory•Oct 30, 2025 — Jan 11, 2026
Press Release
The exhibition by Anna Slama and Marek Delong at Kostka Gallery follows on from their projects Maglev at Karpuchina Gallery (2022) and Time Has Torn the Curtain at NoD Gallery (2024), presenting the duo’s current trajectory. While still rooted in DIY aesthetics, the fantastical, and handcraft, their new, predominantly wooden objects – with their forms and smooth,polished surfaces – foreground the dynamics of motion, openly drawing on the ergonomic product-design aesthetics of the 2000s.
At the heart of the installation is a pair of chaise longues positioned opposite each other. Deliberately left empty, they do not invite the audience to sit; we can, however, lie down in them in our minds and “just look” – and yet, on a certain level, a dialogue may unfold between us. Two luminous portals open on the walls, which are at once stylised portraits of figures looking not “past the viewer” but at one another. Their faces and expressions disregard…
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